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“It’s never, never, never the woman’s fault. No man has a right to raise a hand to a woman. No means no. […] The one regret I have is we call it domestic violence as if it’s a domesticated cat. It is the most vicious form of violence there is, because not only the physical scars are left, the psychological scars that are left. This whole culture for so long has put the onus on the woman. What were you wearing? What did you say? What did you do to provoke? That is never the appropriate question.”
Joe Biden on Today this morning (h/t Joy)

(Source: fullcredit, via dmitrikrushnic)

… “You must have shown me real loyalty down in the Chamber. Nothing but that could’ve called Fawkes to you.” That’s the very first thing Dumbledore thanks and praises Harry for. Not for rescuing Ginny, or saving the school from the basilisk, or for keeping Voldemort from coming back, but for loyalty.

Dumbledore judges the people he works with based first and foremost on how loyal they are to him. Not because he thinks he’s all that, but because, as I said, he views people as game pieces, and you can’t have your game pieces acting up, can you? He values his pieces. He wants to advance and protect them. But he doesn’t want them running off beyond his sphere of influence and doing their own thing. I think there’s something very ambiguous about Dumbledore’s habit of seeking out desperate, socially outcast people and doing them one or two huge favors that leave them bound to him for life. Remus, Hagrid and Snape all fit that pattern, and Trelawney and Firenze appear to join the ranks in OOP. It kind of makes me wonder what Dumbledore has done for Fletcher, Moody and Shacklebolt.

…The problem with Sirius is, he’s not loyal to Dumbledore at all; he’s loyal to Harry. From Dumbledore’s point of view, it’s as if he’s playing wizard chess, and one of the knights suddenly decides that he doesn’t care what happens to the king, he’s just going to take care of that little pawn on the left. So Dumbledore does the only thing he thinks he can do — he sticks his recalcitrant knight into a safe, isolated corner of the board and keeps him from making any moves. Perfectly sensible and strategically sound, as long as you don’t expect your game pieces to have any pesky emotions or psychological issue that need to be taken into account.

…Dumbledore’s actions at Hogwarts are another symptom of his general approach. He doesn’t treat it just as a school, but also as an instrument in his strategy. People like Snape, Hagrid and Trelawny — all lousy teachers, in very different ways — are given their jobs as perks, because of their past of future usefulness to the Order, and because it strengthens their bonds of loyalty to Dumbledore.

OTOH, look at Lupin, who is a talented teacher. Why wasn’t he hired before Harry’s third year, especially given the difficulty of finding qualified DADA professors? My theory is that Dumbledore didn’t consider it necessary. As far as he knew, Lupin was already totally loyal simply because Dumbledore had allowed him to attend Hogwarts. There was no need to bribe him with a job. He was hired only when his familiarity with Sirius became an important factor. Once Sirius proved not to be a threat, Lupin was allowed to resign…

Thoughts on Dumbledore by marinarusalka, from hp-essays (via pottersir)

THIS IS SO GREAT AND SO INTERESTING AND EVEN MORE SO WHEN YOU LOOK AT SNAPE’S STORYLINE AND HERE’S WHY

Just look at Dumbledore’s behavior in The Prince’s Tale - especially at the contrast between before and after Snape agreed to help him defeat Voldemort. There’s so much emotional manipulation, so much that Dumbledore is doing to keep Snape on his side.

“That is why – it is for that reason – he thinks it means Lily Evans!”

“The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July – ”

“You know what I mean! He thinks it means her son, he is going to hunt her down – kill them all – ”

If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?”

“I have – I have asked him – ”

You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?”

That line, the “you disgust me” line is SO IMPORTANT. Contrary to popular belief, Dumbledore doesn’t find Snape’s obsession love for Lily beautiful; he finds it disgusting - and understandably so. Because she “means so much” to Snape that he’s willing to sacrifice her family, and therefore happiness, in order to keep her alive. And, frankly, that’s gross. Dumbledore agrees.

“Hide them all, then,” he croaked. “Keep her – them – safe. Please.”

And what will you give me in return, Severus?

“In – in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.”

Aaaaaand Dumbledore gets himself the perfect soldier - someone who is willing to do anything.

“I thought…you were going…to keep her…safe…”

“She and James put their faith in the wrong person,” said Dumbledore. “Rather like you, Severus. Weren’t you hoping that Lord Voldemort would spare her?”

Also really important. Dumbledore was supposed to protect her, keep her alive, and it didn’t work out and that greatly puts Snape’s loyalty at risk. So what does Dumbledore do? Deflect. He places the blame on Snape and Voldemort here - which, I’m pretty much with him here because Snape did tell Voldemort the prophecy and Voldemort did personally kill the Potters. But this isn’t about that. This is strategy. Keep Snape guilty and keep the blame off Dumbledore by having this whole “well there was nothing I could do” stance and thereby keep Snape both vulnerable and loyal. Make Voldemort the real enemy, someone that Snape would be willing to do anything to fight against at all cost.

“Her boy survives,” said Dumbledore.

With a tiny jerk of the head, Snape seemed to flick off an irksome fly.

“Her son lives. He has her eyes, precisely her eyes. You remember the shape and color of Lily Evans’s eyes, I am sure?

“DON’T!” bellowed Snape. “Gone…dead…”

“Is this remorse, Severus?”

“I wish…I wish I were dead…”

“And what use would that be to anyone?” said Dumbledore coldly. “If you loved Lily Evans, if you truly loved her, then your way forward is clear.

Okay so Dumbledore is definitely using Snape’s love for Lily against him - I think we can all agree with that. I mean look at how he’s referring to her as “Lily Evans” rather than as her married name, “Lily Potter.” Dumbledore has a very tough sell here; he wants Snape to help him protect the child of someone Snape loves and someone he hates. So he takes James out of the equation and it’s all about Harry’s eyes and how much they look like Lily’s and Evans. And then he takes Snape’s love and gives it a purpose.

“You know how and why she died. Make sure it was not in vain. Help me protect Lily’s son.”

“He does not need protection. The Dark Lord has gone – ”

“The Dark Lord will return, and Harry Potter will be in terrible danger when he does.”

There was a long pause, and slowly Snape regained control of himself, mastered his own breathing. At last he said, “Very well. Very well. But never – never tell, Dumbledore! This must be between us! Swear it! I cannot bear…especially Potter’s son…I want your word!”

My word, Severus, that I shall never reveal the best of you?” Dumbledore sighed, looking down into Snape’s ferocious, anguished face.

Before it was disgusting, but now that Snape’s agreed to help him, has pledged his loyalty, Snape’s love is now ~the best part of him~

“ – mediocre, arrogant as his father, a determined rule-breaker, delighted to find himself famous, attention-seeking and impertinent – ”

“You see what you expect to see, Severus,” said Dumbledore, without raising his eyes from a copy of Transfiguration Today . “Other teachers report that the boy is modest, likable, and reasonably talented. Personally, I find him an engaging child.”

Dumbledore turned a page, and said, without looking up, “Keep an eye on Quirrell, won’t you?”

Snape is only seeing James’ worst qualities in Harry (which tbh first year Harry definitely did not have) so Dumbledore brings up qualities that were, actually, found in and associated with Lily to placate him. Because Dumbledore’s biggest challenge is to make Snape forget that James is Harry’s father. He then follows this up with a request.

“Karkaroff’s Mark is becoming darker too. He is panicking, he fears retribution; you know how much help he gave the Ministry after the Dark Lord fell.” Snape looked sideways at Dumbledore’s crooked-nosed profile. “Karkaroff intends to flee if the Mark burns.”

“Does he?” said Dumbledore softly, as Fleur Delacour and Roger Davies came giggling in from the grounds. “And are you tempted to join him?”

“No,” said Snape, his black eyes on Fleur’s and Roger’s retreating figures. “I am not such a coward.”

“No,” agreed Dumbledore. “You are a braver man by far than Igor Karkaroff. You know, I sometimes think we Sort too soon…

He walked away, leaving Snape looking stricken…

Whether you believe it or not, both Sirius and Remus have said that Snape was jealous of James - of his popularity, his talents, all the glory he received, etc. And a lot of those things are perks from being a brave Gryffindor rather than an “evil” Slytherin. Dumbledore is capitalizing on that, on Snape’s secret desires. He’s manipulating Snape because wow he thinks he’s brave, he thinks he’s brave enough to even be a mighty Gryffindor - something I’m sure no one has even told him before. Something he’d never admit to secretly reveling in because he grew up unloved and unwanted. But it keeps him loyal, keeps him close to Dumbledore.

“I am fortunate, extremely fortunate, that I have you, Severus.”

The power of being complimentary, my friends, is not focused on enough. (And I’m not trying to take away from the fact that Snape is a talented wizard, because I do think that, but Dumbledore is so totally manipulating him come on. What makes me say that? Because not long afterwards does he segue into asking Snape to kill him)

“In short, the boy has had a death sentence pronounced upon him as surely as I have,” said Dumbledore. “Now, I should have thought the natural successor to the job, once Draco fails, is yourself?

There was a short pause.

“That, I think, is the Dark Lord’s plan.”

Lord Voldemort foresees a moment in the near future when he will not need a spy at Hogwarts?

“He believes the school will soon be in his grasp, yes.”

“And if it does fall into his grasp,” said Dumbledore, almost, it seemed, as an aside, “I have your word that you will do all in your power to protect the students at Hogwarts?

Snape gave a stiff nod.

Great, Dumbledore has not only a spy, but an heir.

“He is his father over again – ”

In looks, perhaps, but his deepest nature is much more like his mother’s. I spend time with Harry because I have things to discuss with him, information I must give him before it is too late.”

Harry actually shares plenty of traits with James - and based on how he’s spoken of James in the past, Dumbledore liked him. (And why wouldn’t he? Not only is James amazing jkalsdsalkdjasldaskdh but he was very loyal to Dumbledore) So this is for Snape’s benefit. Again, he’s keeping him under control by bringing Lily into the equation and make Harry worthy enough, in Snape’s eyes, to protect.

“Information,” repeated Snape. “You trust him…you do not trust me.

“It is not a question of trust. I have, as we both know, limited time. It is essential that I give the boy enough information for him to do what he needs to do.”

“And why may I not have the same information?”

I prefer not to put all of my secrets in one basket, particularly not a basket that spends so much time dangling on the arm of Lord Voldemort.”

“Which I do on your orders!”

“And you do it extremely well. Do not think that I underestimate the constant danger in which you place yourself, Severus. To give Voldemort what appears to be valuable information while withholding the essentials is a job I would entrust to nobody but you.

“Yet you confide much more in a boy who is incapable of Occlumency, whose magic is mediocre, and who has a direct connection into the Dark Lord’s mind!”

Dumbledore is clearly making Snape angry and I don’t think it’s necessarily intentional. But I do think he’s trying to make sure that Snape desires and values his trust over Voldemort’s. I mean, I’m sure he’s double checked that he has Snape’s loyalty before, but it’s safe to keep checking every now and then. But then this happens:

Snape looked angry, mutinous. Dumbledore sighed.

“Come to my office tonight, Severus, at eleven, and you shall not complain that I have no confidence in you…”

MUTINOUS IS SUCH AN IMPORTANT WORD. DUMBLEDORE IS AT RISK OF LOSING THE BEST AND MOST ESSENTIAL PIECE TO HIS GAME, HIS MVP, SO HE HAS TO REEL HIM BACK IN.

“So the boy…the boy must die?” asked Snape quite calmly.

“And Voldemort himself must do it, Severus. That is essential.”

Another long silence. Then Snape said, “I thought…all those years…that we were protecting him for her. For Lily.

Snape is currently reevaluating his life and all of his choices. Because he thinks, if not for Lily, then what is the point of protecting Harry Potter? Why is he fighting this war? Why is he on Dumbledore’s side?

“We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth. Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.”

Dumbledore opened his eyes. Snape looked horrified.

“You have kept him alive so that he can die at the right moment?”

“Don’t be shocked, Severus. How many men and women have you watched die?”

“Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.

Indeed he has! And after all this time, you’ve finally caught on!

“I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter – ”

Uh-oh no longer Lily Evans - now she is Potter, now she and everything that’s a part of her (i.e. her son) is tainted by James. Still worth protecting? Still worth sacrificing and risking so much for? Apparently yes because this happens:

“But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?”

For him?” shouted Snape. “ Expecto Patronum!”

From the tip of his wand burst the silver doe. She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears.

“After all this time?”

“Always,” said Snape.

Okay so obviously, if you hadn’t already caught on, Snape isn’t doing all of this for the cause or because he’s repenting for being a Death Eater. It’s all for Lily. The woman he helped kill. I beg you to not find that romantic. Remember Dumbledore’s "you disgust me"? That’s pretty much how I feel about Snape, and I suspect that Dumbledore still feels that way. Because, as valuable as he is, Snape has not changed. And I guess it doesn’t bother him at all if he’s risked and sacrificed so much for a child who will die anyway if it was all for her.

After all this time, you still do not see the value of protecting an innocent child? Always. After all this time you still cannot let go of a woman who never loved you romantically? Always. After all this time, you’re still fighting against Voldemort because he killed Lily and not because you believe in muggle-born rights? Always. Dumbledore had to have known this - I mean he’d been using Snape’s love for Lily against him for how long? But I’m sure it still saddened him.

Anyway, “The Prince’s Tale” is a brilliant example of Dumbledore’s manipulation and how he used it to win a war. This is where we see him really in action - and it’s fascinating. Because this is the power of loyalty - how Dumbledore could get a Death Eater so firmly on his side that he continues to do Dumbledore’s work for him after his own death. That’s powerful.

And that’s why Voldemort’s fucking scared of him. I’m kind of scared of him.

(via comealongraggedypond)

(Source: pottersir, via madmadamgem)

miss-jaxon-flaxon-waxon:

onwardwall:

thegingerbalrog:

my-fandom-life:

dismantlerepaired:

whereismystrawberrytart:

hikingnerd:

timelordpillbug:

follovved:

amerlcanapparel:

when she says she doesn’t send nudes

image

when guys objectify women and expect them to send nudesimage

when someone asks you about your nuclear plans for russia

image

When Russia sends you nudes

image

image

image

image

image

image

(via cocklesinthetardis)

icecoldnukacola:

i’m cute as hell, which is incidentally where i came from

(via alrightbritain)

okay Hazel Grace? Okay.

(Source: rbertdowneyjr, via texasbowlegs)

deanverse:

Jensen Ackles article in SFX Magazine (but first I’d like to thank one of my good friends Jo Wren for posting this, all credit goes to her)
Q: How does it feel to start year ten with Dean as a demon?
J: We’re still getting our bearings and trying to figure out where we’re going to go, but the whole demon Dean storyline is fun and new and interesting and different.
Q: What’s different about this Dean?
J: Everybody’s asked if this will be a darker Dean, but it’s actually the opposite. It’s a lighter Dean. It’s a Dean without having the weight of the world on his shoulders and trying to fight the good fight, protect his brother and do the right thing. This Dean doesn’t give a shit at all. He’s going to have a good time. He’s going to drink as much as he wants and get into fights and hook up with babes. It’s the life Dean wished he could live but he can’t because he’s the good guy.
Q: Would you say the episodes are more comedic in tone?
J: It’s not comedic. It’s a personal choice I made with the character. He’s not funny. He doesn’t care to the point that it’s kind of scary.He’s just flippant about everything even when he hears his brother might be in some serious trouble. He’s like “I don’t care” which to me is scarier than if he was like [growls]

deanverse:

Jensen Ackles article in SFX Magazine (but first I’d like to thank one of my good friends Jo Wren for posting this, all credit goes to her)

Q: How does it feel to start year ten with Dean as a demon?

J: We’re still getting our bearings and trying to figure out where we’re going to go, but the whole demon Dean storyline is fun and new and interesting and different.

Q: What’s different about this Dean?

J: Everybody’s asked if this will be a darker Dean, but it’s actually the opposite. It’s a lighter Dean. It’s a Dean without having the weight of the world on his shoulders and trying to fight the good fight, protect his brother and do the right thing. This Dean doesn’t give a shit at all. He’s going to have a good time. He’s going to drink as much as he wants and get into fights and hook up with babes. It’s the life Dean wished he could live but he can’t because he’s the good guy.

Q: Would you say the episodes are more comedic in tone?

J: It’s not comedic. It’s a personal choice I made with the character. He’s not funny. He doesn’t care to the point that it’s kind of scary.He’s just flippant about everything even when he hears his brother might be in some serious trouble. He’s like “I don’t care” which to me is scarier than if he was like [growls]

(via texasbowlegs)

deanwinchestersshortshorts:

onceandfuturewinchester:

the-righteous-girl:

combeferret:

homosexual-titan:

this is my favourite version you cant stop me

#its actually very sad

youre right it is sad

because this is how it would’ve been from elsa’s perspective

no big sweeping and motivational orchestration to fill the silence and the mountains

nothing but the sound of her own voice and the wind

just her

alone

This is how it should’ve been.
She’s on her own, singing her heart out and pouring her soul into something because no one is watching. Right now she’s free, without judgement, and that feeling is a lot easier to connect with when you can hear the silence behind it and the movement of her voice the way she does, not from behind music.

this gives me chills

was that a fucking pun

(via superwholockpresentedbyporn)

big-brother-gadreel-needs-hugs:

Other Fandom: It’s okay, you know my favorite character died too.

The Supernatural Fandom: image

(via alrightbritain)

dilfwolf:

STEREK WEEK ‘14 || Sunday: Anything

2k of not!fic that I am regiving to candypinkcocks

A Sterek Assassin AU, but not like a Mr. and Mrs. Smith one or like where they know each other before.

Like they only know each other as a mark and they keep ALMOST killing each other.

And then both of them recognize each other at the same time at a Farmer’s Market.

And Stiles is with Scott and Scott is like “dude, that dude’s totes looking at you.” And Erica’s with Derek and is like “hot nerd alert” (none of their friends know that Stiles and Derek are assassins btw) and so Scott and Erica are both like “go talk to him and then bone” and they have to because their friends are pushing.

But Stiles thinks Derek doesn’t know who he is and Derek thinks stiles doesn’t know who he is and neither of them are going to try to kill the other in front of their friend because Derek thinks Scott’s kind of cool and Stiles really likes Erica’s bluntness and so they all agree to get drinks later.


So Stiles tells Lydia since she’s his handler or whatever and Derek tells Boyd who’s his. Lydia says to just have a good night and that everything he learns about him can be used to get him at a later date. And Boyd tells Derek to keep Erica safe (because that’s all Boyd really cares about and he knows Derek will just do his thing).

And no one thinks the other knows about the other so they’re all like ‘just relax, it’ll be easy.’

And they go out for drinks and It’s really fun and Stiles’ fingers keep itching to grab at his knife in his waistband because the more he hears about Derek, the more he likes him and DAMN HE’S FINE

And then Derek’s trying to figure out whether his hands are itching to break Stiles’ neck or to hold him against the wall and fuck him.

Then nothing happens and they all go home.


So Scott and Erica are obviously like “we’re all going out AGAIN.”

And they see a movie. It’s the latest spy movie (which Scott and Erica love) and Derek and Stiles are both laughing at the inaccuracies.

At the end of the movie they all go stand outside and their friends keep giving the *look* to Stiles and Derek and they’re both like “what?”

And so Scott and Erica are like GAH NOT AGAIN because Derek and Stiles both want to leave.

But then Scott says “Let’s get drinks.”

And Derek says “it’s a Wednesday. Don’t you work tomorrow?”

Scott’s like “Oh. I do.” and Erica’s like “me too.”

"But Stiles doesn’t."


"Neither does Derek."


Of course, neither Stiles or Derek drove and Scott and Erica run away from them and drive off before they can get in the cars with them (because their friends are actual children)

So Derek and Stiles both call other friends who have all been warned not to pick them up by Scott and Erica.

So finally, Stiles calls Lydia and Derek calls Boyd and they both are like OH NO YOU’RE GETTING INTEL.

And of course they both live like 15 miles away and could totally run it, but they don’t want the other one to notice how fast they are so they’re like “well, one drink I guess.”

And then it becomes more than one drink and they learn more about each other and hey, they actually could like each other if they didn’t have to kill each other.

And it gets to the point where both of them have had so much to drink that they know they can’t run home and there’s this hotel right across the street and at least Derek can kill Stiles in a nice place, right?

And they get into their room and Derek immediately throws Stiles against the door and Stiles responds by putting his hands around Derek’s neck like he’s going to choke him and Derek breaks the hold and Stiles surprisingly throws Derek on the bed and Derek grabs him when he attacks and flips Stiles over and he’s about to punch him the face and Stiles catches his fist, and flips them.

And he slips because they’re drunk and of course fighting turns them both on. And Derek’s like “you play dirty”

And in Stiles’ mind he’s like “oh right, he thinks were playing. I guess we can just play a little tonight…”

And Derek thinks Stiles is just kinky and likes it rough.

And then they have super hot secret hate sex.

*


Boyd knows where Derek ended up that night, and the next morning Derek wakes up to a text from Boyd that says KILL HIM OR LEAVE NOW.

And Derek thinks it’s rude to kill someone after he fucks them, so he leaves and calls Boyd and Boyd’s says, “I just talked to Isaac, and he said the Banshee’s contractor has been contracted to kill you”

 

Derek says, “So?”

"It’s Stile."

And Derek’s v. confused and angered and wants to kill something (probs Stiles) and immediately goes back to the room and is about to bang on the door when Stiles opens it.

And there’s a look of relief on Stiles’ face and he says, “I thought you left.”

And Derek’s asks “Why? Thought you wouldn’t get another chance to kill me?”

And then there’s a v awkward silence and then Stiles says quietly, “You’re supposed to kill me too, aren’t you?”

And then they break angry eye contact to glance at the other’s mouth (because it’s not fic if that doesn’t happen) and then there’s like two seconds of eye contact again.

And then ROUND 2 of hate sex.

*


After they’re both done, they look at each other (Stiles sitting on the bed as Derek pulls on his clothes) and Derek looks at him and says, “The next time I see you, I’m going to kill you.”

"Same. Unless you’re with Erica. Or family."

"Or you’re with Scott. Or family."

"We can’t do that to them."

"No."

And then Derek leaves and doesn’t see Stiles again for a couple of weeks when they both end up in Moscow for a thing.

But SURPRISE Stiles said that he and Scott needed a brocation and Derek offered to pamper Erica with a foreign excursion (since neither of them are going anywhere without their besties from now on pretty much in order to make sure they don’t die).


And there’s a point there when he’s about to kill Stiles, and then Scott appears. And Scott starts talking to Stiles and Derek steps away from his gun as Stiles looks at where Derek was hiding and winks before walking off with Scott.

And then there’s a moment where they’re alone in a room and the have a full on fight.

"No guns or knives. That will cheapen what we have," Stiles says as Derek rolls his eyes and they drop their weapons at the door.

They fight for a while and it looks like Derek’s about to kill Stiles when they hear Erica’s voice calling for Derek.

"Do you really want to kill me when Erica’s right outside the door?"

And Derek lets him go and tells Erica that his swollen lip is from some dude who didn’t like the fact he was hitting on his girlfriend or something.

And OF COURSE Scott and Erica find each other and they all have to hang out because HELLO IT’S MOSCOW and they’re sitting at a table and Erica says:

"Stiles, what do you think it would cost for a night with Derek?"

Without hesitation, “Eighty million.”

And Derek and him share a look and Derek KNOWS that’s how much his bounty is.

And then Stiles looks at him and goes “How much would a night be for me?”

"Eighty million," because they’re worth the same.

And Erica’s says, “Damn, you guys must be phenomenal.”

"You have no idea."

And they finally exchange numbers because Erica forces them to, and Stiles puts his name as 80mil and Derek does the same just so they’re both reminded of what they are to each other.

And for the next few months they keep trying to kill each other and every time they almost do, someone shows up and Derek and Stiles end up fucking. And the fucking has started to have FEELINGS because they actually know each other now

And then one night after partying with their friends, they’re laying in bed in a hotel room and Derek’s looking at bullet wound that he knows he gave to Stiles and Stiles’ fingers are tracing over a scar his knife gave Derek, and they both know that when they try to kill each other they’re REALLY trying because these aren’t sloppy wounds and they’re so close to killing them and would if they each weren’t so good at evading it.

And Stiles makes eye contact with Derek and asks, “How can you do it? How can you legit try to kill me and then act like I’m the most important thing in the world to you?”

"When we’re in the field, I only see you as 80 million. But when we’re with the others or when we’re here, you’re…"

"I’m what? Worthless?"

"Priceless."

THEN THE SLOW BONE

Nothing changes though in the field. They legit try to kill each other during the day and then love each other at night.

And there’s more scars and fights and love making and then someone new comes on the scene and shoots Stiles and he’s in ICU and it doesn’t look like he’s going to make it.

And Derek tells himself it’s nbd and that that’s just what happens.

But weeks go by, and Derek starts to realize that things don’t “just happen.” Someone tried to kill Stiles—HIS Stiles

Derek’s the only one who gets to do that. Fuck that noise

And he finds out the name of the shooter (cough kate cough) and she’s worth 90mil. And he goes and he kills her.

And he gets the 90 and then terminates his contract on Stiles.

And he goes to the hospital when Scott calls him to tell Derek that Stiles is out of ICU.

And he sees Lydia and Boyd talking to each other in the hallway and Lydia says, “I heard you terminated your contract”

Derek looks at Boyd and he nods

Lydia says, “It’s up to Stiles if he wants to break his. He’s awake, by the way.”

And Derek goes in and shuts the door. And Stiles looks up at him.

"Hey."

"Hey."

Derek sits on the side of the bed and stiles Starts fiddling with the cuff of Derek’s Henley.

"So I heard you found someone worth more than me."

"No one’s worth more than you."

screamingcrawfish:

queermarauders:

I just realized that in POA not only does Snape teach about werewolves because he hopes someone notices Lupin’s lyncanthropy, but he also takes away Remus’ opportunity to teach about them as they should be, not as monsters, but as afflicted people.

 (via deadbeatrice)

(via whatladybird)

some-bunny-to-love:

nerdloveandlolz:

This is true. I saw a documentary about it. Men’s orgasm faces are allowed in teenage comedies rated PG13, but women’s orgasm faces can often push it into NC-17 territory, no joke.

I never thought about this.

(Source: tabloid-lover, via greenasheaven)

seananmcguire:

Tiger chubs tiger chubs TIGER CHUBS YOU GUYS

seananmcguire:

Tiger chubs tiger chubs TIGER CHUBS YOU GUYS

(via pacificatx)

queervegancunt:

vi9:

slaughterhouse-ninetwofive:

albinwonderland:

ediebrit:

oh my fucking god

huge fucking trigger warning but oh my god

shots. fucking. fired.

No…no… Comedy central unfortunately hit the nail on the year and just ouch

#rape

(Source: teresagudice, via thehomoadventuresofdestiel)

frostytower:

disneyaddictgirl:

neko-chicana:

tifamex:

"The first Disney Movie to tell girls they can fight too is Frozen!"

image

"Frozen is the first Disney Movie where the girl didn’t need a man to save her!! <3 "

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"Frozen is the first Disney movie about loving sisters!"

"Frozen is the first Disney movie to question why someone would get married after knowing them for only a day."

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"Frozen is the first film to have a blonde male lead who doesn’t fit the cookie cutter mold

image

(via greenasheaven)